CUMBERLAND FURNITURE: SUBTRACTING PRODUCTS FROM BACKGROUNDS AND RECONSTRUCTING SHADOWS FOR THE WEB, 2017-2018.

Cumberland-Fortis_Wall-Mount_01-e1526586646888 (1).jpg

Cumberland-Fortis_Wall-Mount_01-e1526586646888_whitelayers_2.jpg

Tantus_Credenza_Main-e1526584019860_white._jpg

SOUTHFIELD GALLERY INSTALLATION VIEWS OF "ELECTRIC BANQUET," BEFORE AND AFTER RETOUCHING AND COLOR-CORRECTION, 2017.

Electric_Banquet_Installationview_01 (4 of 12).jpg

Electric_Banquet_Installationview_01 (5 of 12).jpg

Electric_Banquet_Installationview_01 (6 of 12).jpg

Electric_Banquet_Installationview_01 (7 of 12).jpg

Electric_Banquet_Installationview_01 (11 of 12).jpg

Electric_Banquet_Installationview_01 (9 of 12).jpg

Electric_Banquet_Installationview_01 (10 of 12).jpg

Electric_Banquet_Installationview_01 (12 of 12).jpg

RETOUCHING CHIEF PHOTOGRAPHER OF THE GUGGENHEIM, DAVID HEALD'S IMAGES FOR THE "CARRIE MAE WEEMS: THREE DECADES OF PHOTOGRAPHY AND VIDEO EXHIBITION," 2013.

THE DIGITIZING AND COLOR-CORRECTING FELIX HOLZER'S FILM IMAGES FOR THE JAMES TURRELL, "ATEN REIGN" EXHIBITION AT THE GUGGENHEIM MUSEUM, 2013.

Screen+shot+2016-07-28+at+12.09.44+PM.png

THE DIGITIZING AND RETOUCHING OF THE GUGGENHEIM FAMILY'S PHOTO ARCHIVE FOR LISA IMMORDINO VREELAND'S, "PEGGY GUGGENHEIM: ART ADDICT."

Digital scanning and retouching the Guggenheim family photo archive for Lisa Immordino's documentary, "Peggy Guggenheim: Art Addict".

COLOR CORRECTIONS ON FLOOR PLANS FOR AUXILIARY INCORPORATED